THE BEST SONGS OF ALL TIMES
Songs are from multiple genres, and while they may not be your favorite songs or even songs you know, they are worth noting and perhaps will become one of your favorite songs.
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"MISSING YOU" - JOHN WAITE (WAITE / KRAUSS RECORDING)
VIDEO MISSING YOU - ALISON KRAUSS
"Missing You" is a song by British musician John Waite and was included in the album No Brakes. It peaked at number one on the Billboard Hot 100 for one week on September 22, 1984, and number nine on the UK Singles Chart.
John Waite re-recorded the song with country/bluegrass artist Alison Krauss which appeared on her album A Hundred Miles or More: A Collection, and released it to country music radio in 2007. The re-recording peaked at #34 on the Hot Country Songs chart. It was also featured in the popular '80s inspired video game Grand Theft Auto: Vice City.
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"LONG COOL WOMAN IN A BLACK DRESS" - THE HOLLIES
Many mistake this song as being performed by CCR.
VIDEO LINKS
THE HOLLIES - 'LONG COOL WOMAN IN A BLACK DRESS'
LONG COOL WOMAN IN A BLACK DRESS - THE HOLLIES
"Long Cool Woman in a Black Dress" is a song by the rock and roll group The Hollies. It was released on February 1, 1972, as a single on the Parlophone Records label.
The song's first-person lyrics tell a story of an FBI agent (the narrator) who is scouting a speakeasy in advance of a raid. Prior to the police's arrival, the narrator meets the "long cool woman" of the title, a singer at the bar described as "5'9", beautiful, tall", and immediately falls in love with her. The raid results in a shootout during which he protects her. The narrator is given congratulations by the District Attorney ("the DA man") and, presumably, a relationship with the woman when he gets legal immunity for her.
It was released soon after Allan Clarke, who was featured on both lead guitar and lead vocal, had left the group. It appears on their album Distant Light (1971). As the group had just left EMI/Parlophone and signed with Polydor, they did not promote the song. However, it became a No. 2 hit on the Billboard Hot 100 charts and No. 1 on Cash Box in the United States, their most successful single there, it was also No. 1 in Canada. It was inspired by, and in the style of, the rock and roll group Creedence Clearwater Revival, especially their song Green River. On being reactivated by EMI in Britain a few months later, it reached No. 32 on the UK Singles Chart.
The song is notable in that it features Clarke playing rhythm guitar, something he rarely did. Clarke came up with the signature guitar rhythm that opens the song. In the light of the song's success, Clarke rethought his solo career and rejoined the group in 1972. http://en.wikipedia.org/wiki/Long_Cool_Woman_in_a_Black_Dress
LYRICS
Saturday night I was downtown
Working for the FBI
Sitting in a nest of bad men
Whiskey bottles piling high
Bootlegging boozer on the west side
Full of people who are doing wrong
Just about to call up the DA man
When I heard this woman singing a song
A pair of 45's made me open my eyes
My temperature started to rise
She was a long cool woman in a black dress
Just a 5-9 beautiful tall
With just one look I was a bad mess
'Cause that long cool woman had it all
I saw her heading to the table
Well a tall walking big black cat
When Charlie said I hope that you're able, boy
Well I'm telling you she knows where it's at
Well then suddenly we heard the sirens
And everybody started to run
Jumping under doors and tables
Well I heard somebody shooting a gun
Well the DA was pumping my left hand
And she was holding my right
Well I told her, "Don't get scared
'Cause you're gonna be spared"
Well I'm gonna be forgiven
If I wanna spend my living
With a long cool woman in a black dress
Just a 5-9 beautiful tall
With just one look I was a bad mess
'Cause that long cool woman had it all
Had it all, had it all, had it all...
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"NIGHTS IN WHITE SATIN" - MOODY BLUES
VIDEO LINKS
THE MOODY BLUES - 'NIGHTS IN WHITE SATIN'
THE MOODY BLUES - NIGHTS IN WHITE SATIN - 67
"Nights in White Satin" is a 1967 single by The Moody Blues, first featured on the album Days of Future Passed.
"Nights In White Satin" was not a popular song when first released, mainly due to its over seven-minute length. There are two edited versions of the song, both stripped of the orchestra and poetry from the LP version. The first version, with the songwriter's credit shown as "Redwave", was a hasty sounding 3:06 edit of the main song with very noticeable chopped parts. For the second edited version (now credited to Justin Hayward), the main track was kept intact, ending at 4:26. Both versions were backed with a non-LP release, "Cities". The song was re-released in 1972 after the success of such longer-running dramatic songs as "Hey Jude" and "Layla", and it charted at #2 on Billboard magazine and #1 on Cash Box in the United States, earning a gold single for sales of a million copies and was also #1 in Canada. The song also holds the dubious distinction of falling off the Hot 100 from the highest position (#17). It was also released in Spanish as Noches de Seda at the same time. Its original release in the United Kingdom reached #19; in the wake of its US success, the song re-charted in the UK in late 1972 and climbed ten positions higher, to #9. The song was re-released yet again in 1979, and charted for a third time in the UK, at #14.
Band member Justin Hayward wrote the song at age nineteen in Swindon, and titled the song after a friend gave him a gift of satin bedsheets. http://en.wikipedia.org/wiki/Nights_in_White_Satin
LYRICS
Nights in white satin, never reaching the end,
Letters I've written, never meaning to send.
Beauty I'd always missed with these eyes before.
Just what the truth is, I can't say anymore.
'Cos I love you, yes I love you, oh how I love you.
Gazing at people, some hand in hand,
Just what I'm going through they can't understand.
Some try to tell me, thoughts they cannot defend,
Just what you want to be, you will be in the end.
And I love you, yes I love you,
Oh how I love you, oh how I love you.
Nights in white satin, never reaching the end,
Letters I've written, never meaning to send.
Beauty I've always missed, with these eyes before.
Just what the truth is, I can't say anymore.
'Cos I love you, yes I love you,
Oh how I love you, oh how I love you.
'Cos I love you, yes I love you,
Oh how I love you, oh how I love you.
Breath deep
The gathering gloom
Watch lights fade
From every room
Bedsitter people
Look back and lament
Another day's useless
Energy spent
Impassioned lovers
Wrestle as one
Lonely man cries for love
And has none
New mother picks up
And suckles her son
Senior citizens
Wish they were young
Cold hearted orb
That rules the night
Removes the colours
From our sight
Red is gray and
Yellow white
But we decide
Which is right
And
Which is an Illusion
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